lately include:
17 seconds Issue 1, especially the Rachel Blau duPlessis piece - very sentency;
The Capilano Review's latest issue on the poetics of erasure - smart and pretty;
the Open Letter Summer 2008 issue on New Canadian Poetries - lots of writing by and about current and former Calgarians;
the Olive Reading Series and collective - no podcast of my reading last week, sadly, but a kind and welcoming audience, really engaging open mic, and lovely chapbook of my new writing, of which I have several copies to distribute, let me know if you're interested.
February 19, 2009
Things I like
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Labels: poetry links
February 07, 2009
Olive reading
If you're in Edmonton this week, come see me read at the Olive series on Tuesday. I'll be reading from "Bus plunge," a brand new mini-ms the Olives are chapbooking.
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February 06, 2009
headlines are my favorite drug
This week's dose, courtesy of cbc.ca, the Calgary Herald website, the Globe and Mail website, and the Calgary Sun box outside my office:
“Joy of Six”
“Nurses rack up record rebukes”
“Dolphins capable sea chefs”
“Teachers aims at Petrocan”
“Driver run over by own car”
“Ban stun gun use on young people”
“French couple cloaked in suspicion”
“Is that a pigeon in your pants?”
“Powder vets”
“Sex becoming ‘cultural wallpaper’”
“Birth raises ethical issues”
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January 29, 2009
"When I first knew Gertrude Stein in Paris
I was surprised never to see a french book on her table, although there were always plenty of english ones, there were even no french newspapers. But do you never read french, I as well as many other people asked her. No, she replied, you see I feel with my eyes and it does not make any difference to me what language I hear, I don't hear a language, I hear tones of voice and rhythms, but with my eyes I see words and sentences and there is for me only one language and that is english. One of the things that I have liked all these years is to be surrounded by people who know no english. It has left me more intensely alone with my eyes and with my english. I do not know if it would have been possible to have english be so all in all to me otherwise. And they none of them could read a word I wrote, most of them did not even know that I did write. No, I like living with so very many people and being all alone with english and myself."
- The Autobiography of Alice B. Toklas
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January 27, 2009
Chapbook PDFs
of above/ground press's Alberta Series now up, including my Dirty Work. Dig the albertarrific design.
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January 25, 2009
9:26 to 9:33 Discovery
Red person, green sort of person
combination of soil, water all plays into it
run this place for ten years
both read and green picked sooner longer on the vine
will continue forever
oh man, red enchilada, is that good
see what he says liking this red
it’s good best red enchilada I ever had
lot of problems labor problems
forcing us into other crops not enough people some of the
best chilies in the world growing what everyone
else is special in the best possible ways
capital buttes and mesas raging white water
clean living actually sporty wet suit well no
what's the worse actually have that sitting on the tube
save the scene going south shot backwards
into the brink a few tarrying moments dragged
a lot of it surprise to me today was no different
this being most American can’t use enough good
flavour beer not burning in there fire or beer
radicchio and Mexican beer rest your wary briquettes
barbecue comes with everything soon when grilling
check by poking vegetables superb sleepless road trip joys
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January 22, 2009
names
The Lord Chief Justice of England and Wales is a man whose last name is Judge, so his official title is Lord Chief Justice Lord Judge. And he was also made a baron, so maybe you could also address him as Lord Chief Justice Lord Baron Judge. Or you could call him Igor.
Also, check out Picasso's full given name: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso.
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January 11, 2009
9:48 to 9:51 Slice
no change
after two weeks it's ok
pretty good
try the target
next two weeks
what's the problem
you know what that means
go ahead and change
i need a miracle
follow through
come on
flip the tires
up and over
do things she never thought
the end and back
for sure
tone you out tighten up
must fit in that
dress
do you believe
do you
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January 09, 2009
8:39 to 8:46 Learning
Sense of originality it’s good
Cool it’s awesome
Don’t fail me
Like the phoenix every day
Never allow false eyelashes
I look good
Toddlers at ten
Shoe new type of wipe
Baked on cheese
Dual action
Small cap soften
Yes
Concentrated three times
Scent pearls
Feel more
Tattoo of his guitar
Our lad of guadalupe
Definitely resonates
Last chance to run
So hope it doesn’t
Not the actual phoenix but the metaphor
No matter worse and worse
Going down keep going
Gotta be like the phoenix
Like crawling through a mile like
Working step back and look
Every day
Just a little angle
Any little strokes
Stand out in the background
Get out and take a look
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January 07, 2009
9:34 to 9:38 Outdoor Life
this guy
up off cold sands chills away
ease of filming mistake or not
little button rock
couple times work
down low
considering the rain
small bear hooked at the top
wandering around
not a little one
devil’s club
just covered
just hurts
just came teeming down
darks coming in
home sweet see how I do tonight
feels protected
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January 05, 2009
9:03 to 9:09 Discovery
Choose to craft heating a miracle an air seal install twin simple adjust any length slip space
Size
This good this can simple things really a piece of cheese that’s what’s cool
Enlightening seafood half hour north love and hate one block six other places taverna
Old man bars unimpressed come on swimming a bit more special
Most delicious into the can fourth generation his ideal canned seafood
Cockles quality tuna expand why not products available he goes
Season stops buys breads manually very carefully
No relationship stoned oysters desperate only better
Small stuff like nosebleed hundred dollar euros
Something else a bit of fat get better blend in juice little beads
Something so liberating weathered wood beer lively setting eat or don’t eat
Never repeat brothers change the world not enough
Lab and proving ground natura new direction
Not premeditated reactionary rejection everyday spongecake
Almond powder sugar make holes into the microwave yup
Goop in a cup
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Labels: poetry
January 04, 2009
Nobody knows what I am trying to do but I do and I know when I succeed.- Gertrude Stein, quoted in The Third Rose by John Malcolm Brinnin
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Labels: gertrude stein, quotations
January 01, 2009
New years resolutions:
1. Learn German;
2. Learn to play bass;
3. Start a reading series;
4. Travel outside the country.
And some very good advice.
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December 24, 2008
One nice side effect of practicing law is finding obscure and archaic words nestled in the proverbial fine print. While browsing through the Notaries Public Act to make sure I'm doing it right, I ran across this clause:
A notary public may, during pleasure,
...
(e) demand, receive, and have all the rights, profits and emoluments rightfully appertaining and belonging to the calling of notary public.
Emolument. Apparently it comes from the Latin emolere, which is to produce by grinding, and it means compensation for employment.
Employment is a grind, but notarizing documents is one of the least grinding ways I've had of earning my emoluments.
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December 18, 2008
December 13, 2008
What is the quality that makes writing poetry? I think it comes from a complete lack of premeditation. Hovering on the edge of the next word and being surprised/amused/uncertain when the next word appears. But still, it's not that easy. It takes a lot of concentration. Maybe the effort of not premeditating? Of stifling expectation?
In any case, I can remember the feeling of writing poetry: the intense effort, the excitement, knowing physically this is poetry.
But I can't seem to do it anymore. I'm thinking while I'm writing. And it's not poetry, it's just stale.
Did learning law do this to me? I'm not convinced it didn't.
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December 01, 2008
Soldiered through an Aldous Huxley novel this weekend; it's set in 1922 and apparently very satirical, although the finer points of the satire were likely lost on me. Had a vague sense as I read that life or at least literature is passing me by. Novel-reading is such a habitual, vaguely wholesome way to spend time. The lingering sense that it's good and valuable to read, read anything. Not that I didn't enjoy it, Huxley can be hilarious, it just seems odd to pluck a novel so clearly directed at its contemporary moment and read it with so little context, so aimlessly. It would be like reading Generation X in 2076 and wondering what on earth Douglas Coupland is ranting about (or like another less-than-17-years-old example...).
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November 26, 2008
Before heading to the airport, I grabbed a few books, including Lisa Robertson’s Occasional Work and Seven Walks from the Office for Soft Architecture (the pleasingly compact clear cut press edition). It wasn’t until halfway through my flight to Vancouver that I realized that the book is largely about Vancouver. Strange synergy. Then I noticed a boarding pass tucked near the back of the book, documenting another flight from Calgary to Vancouver, in 2005. It occurs to me that I’ve been reading this book, in transit, for years. There are passages I must have read many times, I don’t remember particulars, but the book has become luxuriously familiar, a constant, I can dip into it at any point, it continues. On this reading,
“Thickets, a cave, a hut of boughs…”
called up Lyn Hejinian’s “A pause, a rose, something on paper.” But only briefly. It carries on:
“Thickets, a cave, a hut of boughs are the components of landscape that conventionally provide primordial coverage. Structurally the shack is a thickening, a concentration, an opacity in the lucid landscape.”
Elucidation of surfaces, space, enclosures: shacks, and scaffolding:
“When an immobile building, inevitably bored of its environment, wants a new site, a scaffolding can be constructed around it. Scaffolding substitutes for a site. By compression or condensation it transforms an atmosphere to a condition of access which is also a screen. The idea is easily inflated towards the surreal or the homeopathic, but it is based on observation. When at night we hear the scaffolding rustle, then look up to watch it sway, we feel voyeuristic longing. In darkness the scaffolding is foliage. Sometimes swinging on special leafy scaffolds we feel compelled to loose our little slipper.”– Lisa Robertson, Occasional Works and Seven Walks from the Office for Soft Architecture
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Labels: books
November 23, 2008
We have floundered and basted. Our portions have multiplied. We are sated but repenting. We are lost to our innermost rhythm. Our senses are surfeit. Our form is buffeted.
A light pulse has led us sparing. We have not sought stability. Our uncertainty has charmed us. We are as a gluttonous lover. And yet we have been wrenched. We have contorted. We atone.
Flimsy surrenderings bait us. Stubborn thickets spring to our mercy. Sabotage entices our lean baselessness. We hover fearing.
Our signal is a study in calm. Loop upon loop has cocooned. We have endeared ourselves to our other selves. Our clamour subsides. We are burgeoning.
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Labels: poetry
November 17, 2008
"The Calgary Arts Development authority could be eliminated as well. Allow individuals to fund that through their charitable donations," he said.
So Calgarians can choose between property tax hikes of 23% or whatever ridiculous number they're suggesting, or the sudden complete elimination of municipal support for the arts.
Nice.
Living in this city has been bothering me lately. It's so frustrating to live in the strongest economy in the country (assuming that's still true) with grotesquely overvalued real estate affecting everyone's access to accommodation, rented or owned, to drive on crumbling streets, to negotiate an overlooked and clearly inadequate transit system, to suffer extremely limited access to medical attention because no doctors are taking new patients, to watch gang activity flourish for lack of funding for the police, and to not even have an independent bookstore in the downtown core to frequent, not to mention a decent coffeeshop open later than ten in the evening. I feel as though we sacrifice so much here to the culture of oil and gas -- all this city's resources are directed towards making money from oil. Which is sad, but not likely to change. What I don't understand is why can't all that oil money at the very least alleviate some of the problems that could handle some money being thrown at them? Why can't they hire more police? Attract more doctors? Fix the goddamn roads? Buy a few more buses? Shouldn't all that revenue be able to shield us from massive cuts to the already underfunded arts authority, or from further inflation of our overinflated property values? Why is this city so hopelessly self-destructive?
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